- Issue
- Journal of Siberian Federal University. Humanities & Social Sciences. 2014 7 (1)
- Authors
- Voitkevich, Svetlana G.
- Contact information
- Voitkevich, Svetlana G.:Krasnoyarsk State Academy of Music and Theatre 22 Lenin Str., Krasnoyarsk, 660049 Russia; E-mail:
- Keywords
- Dostoyevsky; opera; drama theatre; prose; music
- Abstract
This article is devoted to the works by F.M. Dostoyevsky which found original embodiment in Russian music and theatre of Russia in the last third of the XX – early XXI centuries. The research marks historical stages of formation and development of Russian theatre life, reveals the character of each stage in connection with the main tendencies of time. Due to the historical approach it becomes possible to notice the peculiarities of opera genre, the reasons for emergence of certain genres. Moreover, the research presents the difference in interpreting plots by Dostoyevsky in drama and music theatres. It is an attempt to justify the reasons of actual continuity and relevance of the writer’s prose on opera and drama stages in one of the hardest periods in the history of Russia and nowadays. In order to expand the field of research, it also covers a series of opera pieces by modern authors which have not been exposed to research yet
- Pages
- 43-49
- Paper at repository of SibFU
- https://elib.sfu-kras.ru/handle/2311/10179
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).