Siberian Federal University

Issue

Journal of Siberian Federal University. Humanities & Social Sciences. 2023 16 (11)

Authors

Bukova, Maria I.; Pimenova, Natalya N.; Zamaraeva, Yulia S.; Kistova, Anastasia V.

Contact information

Bukova, Maria I.: Krasnoyarsk Art Museum named after V. I. Surikov Krasnoyarsk, Russian Federation; ; ORCID: 0000-0002-8069-9522; Pimenova, Natalya N.: Siberian Federal University Krasnoyarsk, Russian Federation; ; ORCID: 0000-0002-0622-4465; Zamaraeva, Yulia S.: Siberian Federal University Krasnoyarsk, Russian Federation; ; ORCID: 0000-0003-1299-6741; Kistova, Anastasia V.: aKrasnoyarsk Art Museum named after V. I. Surikov Krasnoyarsk, Russian Federation bSiberian Federal University Krasnoyarsk, Russian Federation; ; ORCID: 0000-0002-5309-4616

Keywords

siberian modern; modern; V. A. Sokolovsky; L. A. Chernyshev; architecture of Krasnoyarsk; architecture of Tomsk

Abstract

The article examines the problem of defining Siberian Art Nouveau as an independent phenomenon in the architecture of Siberia at the beginning of the 20th century. The features of modernism are revealed in the architecture of Krasnoyarsk, created by the outstanding Siberian architects of the turn of the 19th – 20th centuries V. A. Sokolovsky and L. A. Chernyshev. As a representatives are being studied the mansion of V. N. Gadalova V. A. Sokolovsky – an example of a city mansion with a manor area and a mansion of the architect L. A. Chernyshev, who is also the author of the project of the Krasnoyarsk Regional Museum of Local Lore, famous throughout Russia, which he built as a stylization of an ancient Egyptian temple. Siberian Art Nouveau in the architecture of Krasnoyarsk at the beginning of the 20th century is eclectic but holistic in nature, demonstrating a high level of aesthetic thinking and engineering solutions. Three examples of the modern artistic community’s appeal to the cultural heritage of modern architecture are also considered – using the example of the city of Tomsk: architecture serves as a source of inspiration and reflection. The ability of modern architecture to become, in one case, a “canvas” for artists’ works, and in another, an object of research, is revealed, to raise problematic issues for the city and for the artist

Pages

1956–1973

EDN

FHZYCV

Paper at repository of SibFU

https://elib.sfu-kras.ru/handle/2311/151823

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).