- Issue
- Journal of Siberian Federal University. Humanities & Social Sciences. 2024 17 (1)
- Authors
- Sergeeva, Natalia A.; Pashova, Elina V.; Borodina, Mariana A.
- Contact information
- Sergeeva, Natalia A. : Siberian Federal University Krasnoyarsk, Russian Federation; ; ORCID: 0000-0002-5896-6401; Pashova, Elina V.: Siberian Federal University Krasnoyarsk, Russian Federation; ; ORCID: 0000-0002-1845-7346; Borodina, Mariana A.: Siberian Federal University Krasnoyarsk, Russian Federation; ; ORCID: 0009-0003-1885-6798
- Keywords
- visual culture; visual turn; visuality; visualisation; visual image; historical and religious painting of Siberia of the 20th– 21st centuries; Christian iconography in the art of Siberia; V. V. Ivankin
- Abstract
In the first part of the article, the subject of consideration is the “visual culture” concept. The prerequisites for the concept formation that has developed in the modern socio-cultural space are briefly considered. Ancient philosophical views on such categories as “visual”, “visible”, “observable” are presented; the prerequisites for the emergence of a “visual turn” are considered. The second part examines the approaches existing in modern social sciences and humanities to the study of visual culture and visual image in particular, approaches to the study of the image as a representation and as a presence. And the third, practical part of the article is devoted to the analysis of modern painting works, where the phenomenon of visual turn in culture, considered on the example of works of Siberian painting, is interpreted not only in the cultural and historical context and from the point of view of the influence of non- artistic factors (“representation?), but also as a natural course of cultural history, asserting independent value and fullness meaning of each style and denying the existence of a normative artistic form (“presence”)
- Pages
- 84–100
- EDN
- NQQERI
- Paper at repository of SibFU
- https://elib.sfu-kras.ru/handle/2311/152485
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).