- Issue
- Journal of Siberian Federal University. Humanities & Social Sciences. 2015 8 (4)
- Authors
- Smolina, Maya G.; Tamarovskaya, Anastasia N.; Smirnova, Daria V.; Fedoriako, Natalia A.; Legkova, Marina A.; Vergeichik, Larisa N.; Tat’ianina, Alexandra I.
- Contact information
- Smolina, Maya G.: Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia; E-mail: smomg@yandex.ru; Tamarovskaya, Anastasia N.: Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia; Smirnova, Daria V.: Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia; Fedoriako, Natalia A.: Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia; Legkova, Marina A.: Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia; Vergeichik, Larisa N.: Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia; Tat’ianina, Alexandra I.: Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia
- Keywords
- painting; Krasnoyarsk; Siberia; Boris Iakovlevich Riauzov; relationship of man and the world; landscape; socialist realism; the Great Patriotic War; horizontal composition; urban landscape; existential problems
- Abstract
This paper analyzes the relationship of man and the world in the picturesque landscapes of the Krasnoyarsk painter B.Ia. Riauzov. The authors consider two basic philosophical issues, reflected in the work of the Siberian artist, i.e. conflict between “nature” (also first nature) and “culture” (second, man-made nature), idyllic relationship between man and the world
- Pages
- 722-734
- Paper at repository of SibFU
- https://elib.sfu-kras.ru/handle/2311/16772
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).