Siberian Federal University

Issue

Journal of Siberian Federal University. Humanities & Social Sciences. 2014 7 (3)

Authors

Polezhaeva, Julia Е.; Полежаева, Ю.Е.

Contact information

Polezhaeva, Julia Е.:Krasnoyarsk State Academy of Music and Theatre 22 Lenin Str., Krasnoyarsk, 660049, Russia;E-mail: bampo25@yandex.ru; Полежаева, Ю.Е.:Красноярская государственная академия музыки и театра Россия, 660049, Красноярск, ул. Ленина, 22

Keywords

image of evil; “Mephisto Waltz”; the “Faust symphony”; the “Dante symphony”; Franz Liszt; musical expressive means; intonation; romanticism

Abstract

The article views the outstanding Hungarian composer-romanticist’s creative work from the positions of the image-bearing system of the art of the Romantic era, its specificity and means of embodiment. The material for research embraces piano and orchestra compositions: five “Mephisto Waltzes”, “Mephisto Polka”, “The Piano Sonata in B minor”, fantasia quasi sonata “Apres une lecture du Dante” (“After a Reading of Dante”), the “Faust symphony”, the “Dante symphony” that depict various manifestations of evil. These compositions are studied in image-and-prosodic plane. The main method of research is the prosodic analysis approaching the minor integral analysis. Singling out and description of prosodic “nucleus” as a stable complex of expressive means that serve to re-create the images mentioned have become the result of the research. This complex is characterized by certain features (tone, register, articulatory, melodic, rhythmic, tonality-and-harmonic and genre ones) as well as by regularities of a theme formation and development. Conclusion presents the attempt to view the phenomena under research from the point of Christian teaching

Pages

525-536

Paper at repository of SibFU

https://elib.sfu-kras.ru/handle/2311/10261

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).