- Issue
- Journal of Siberian Federal University. Humanities & Social Sciences. 2014 7 (9)
- Authors
- Vinokurova, Natalia V.
- Contact information
- Vinokurova, Natalia V.:Krasnoyarsk State Academy of Music and Theatre 22 Lenin Str., Krasnoyarsk, 660049, Russia; E-mail:
- Keywords
- Glazunov; symphony; scherzo; miriskusniki
- Abstract
Thanks to A. Ossovskiy, Glazunov acquired the role of the one who ended the traditions of the “Mighty Handful”, which is of no doubt. However, it is clear that the composer’s creative work is not limited only by the “Procrustean bed” of the epic symphonic style. This is confirmed by a significant reevaluation of his work carried out in a number of studies in recent decades. On the material of scherzos of the early symphonies of Glazunov this article identifies components of the author’s style that, on the one hand, firmly linked the composer’s creative work with the traditions of the Russian symphonic school and, on the other hand, determined the extreme mobility of the author’s style, his aspiration for the future. The methodology of this study is based on the conjugation of scientific and analytical apparatus of the humanities disciplines related to the musicology
- Pages
- 1591-1598
- Paper at repository of SibFU
- https://elib.sfu-kras.ru/handle/2311/13358
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).