Siberian Federal University

Supplementary material

Application 1 (.pdf, 4.6 MB)

Issue

Journal of Siberian Federal University. Humanities & Social Sciences. 2024 17 (4)

Authors

Kolesnik, Maria A.; Leshchinskaia, Natalia M.; Omelik, Anna A.

Contact information

Kolesnik, Maria A. : Siberian Federal University Krasnoyarsk, Russian Federation; ; Leshchinskaia, Natalia M. : Siberian Federal University Krasnoyarsk, Russian Federation; ; Omelik, Anna A.: Siberian Federal University Krasnoyarsk, Russian Federation;

Keywords

Natalia Goncharova; art of the Russian avant-garde; theatre and decorative art; Russian art; Russian painting of the first half of the twentieth century; Russian ballet; The Golden Cockerel; Jewish Women; Jewish Family; Spanish Woman with a Fan; Two Spanish women with a dog

Abstract

The beginning of the 20th century is a time of significant changes in the field of art. The understanding of the meaning of art and its purpose is changing, new possibilities of artistic language are being sought. And the work of Natalia Sergeevna Goncharova is one of the examples of such transformations and searches. The artist has gone through a difficult path of professional development and finding her individual style. In the framework of the present study, the manifestation of Russian, Jewish and Spanish motifs in N.S. Goncharova’s works (sketches of scenery and costumes for the opera-ballet “The Golden Cockerel” and the ballet “The Wedding”, “Jewish Women”, “Jewish Family”, “Spanish Woman with a Fan”, “Two Spanish women with a dog”) is considered on the basis of the key works analysis. National themes, folk colors were of interest to the artist throughout her creative path, and determined the originality of her multifaceted heritage as a painter, graphic artist and stage designer

Pages

719–729

EDN

PJMXSV

Paper at repository of SibFU

https://elib.sfu-kras.ru/handle/2311/152831

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).