- Issue
- Journal of Siberian Federal University. Humanities & Social Sciences. 2020 13 (8)
- Authors
- Zhukovsky, Vladimir I.
- Contact information
- Zhukovsky, Vladimir I.: Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia;
- Keywords
- D.V. Pivovarov; the synthetic theory of the ideal; ideal; object model; artistic culture; fine arts; model; work of art; viewer; artistic process
- Abstract
The article reveals the methodological principles of the Russian researcher D.V. Pivovarov’s synthetic theory of the ideal, which laid the foundation for the research of regularities of an ideal-forming process in fine arts. According to the theory, the ideal is as an intermediary between a human and the world and has a feature of a harmonious unity of the two opposite sides of being – material and spiritual. A work of fine arts is an artificial and skillfully produced ideal, a temptation which is aimed at a representative relation of the finite with the finite and the finite with the infinite. Finding the place of a work of art in the system of artistic culture, the author of the present paper argues that D.V. Pivovarov’s concept of the ideal is a basis of modern theory of fine arts, it promotes the scientific study of fine arts, helps to master a difficult dialectical process of a human’s (a viewer’s) representative relationship with his / her soul, souls of the others, the Spirit of God
- Pages
- 1416–1423
- DOI
- 10.17516/1997-1370-0175
- Paper at repository of SibFU
- https://elib.sfu-kras.ru/handle/2311/68383
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).