SibFU Journal. Humanities & Social Sciences: 2016 (Vol. 9, Issue 1)

  1. New Directions in Russian Orthodox Church Architecture at the beginning of the Twentieth Century
    p. 5-40; Brumfield, William Craft
    full text (.pdf) / abstract
  2. The Genre of the Minuet in the Works of Maurice Ravel
    p. 41-54; Bass, Valentina V.
    full text (.pdf) / abstract
  3. Negotiating Citizenship on Russian Makeover Television: Between Traditional and Neoliberal
    p. 55-67; Kazakevich, Olga S.
    full text (.pdf) / abstract
  4. Modern Concepts of Cultural Sociodynamics in the Context of Research of the Socio-Cultural Environment of the Indigenous Peoples of the North, Siberia and the Far East
    p. 68-78; Koptseva, Natalia P.
    full text (.pdf) / abstract
  5. Imaginary World as A Subject of “Eranos” Intellectual Group’s Research in the 30 – 80s of the XX Century
    p. 79-90; Kolesnik, Maria A.
    full text (.pdf) / abstract
  6. Modern Russian Mass Consciousness: the New Wave of Patriotism
    p. 91-106; Nabokova, Larisa S.
    full text (.pdf) / abstract
  7. G. Verdi’s “La Traviata”: History of Creation, First Productions and Stage Interpretation of the Character of Violetta
    p. 107-116; Baranova, Vera P.; Voitkevich, Svetlana G.
    full text (.pdf) / abstract
  8. Principle of Rilleture: One of the Leading Ideas in the Works by Azio Corghi
    p. 117-125; Gavrilova, Liudmila V.
    full text (.pdf) / abstract
  9. Involving Future Bachelors in the Development of an Information-Cognitive Model of Introduction to Social-Pedagogical Values
    p. 126-132; Smirnaia, Anastasiya A.; Ignatova, Valentina V.
    full text (.pdf) / abstract
  10. Aesthetic Troposes of Fetishism
    p. 133-139; Sobolev, Iuriy V.
    full text (.pdf) / abstract
  11. Specifics of Theatrical Concepts of the Creative Method of William Hogarth in His Graphic Series “A Rake’s Progress” and I. Stravinsky’s Opera “The Rake’s Progress”
    p. 140-149; Iakovleva, Svetlana A.
    full text (.pdf) / abstract
  12. Ornamental Characteristics of the Musical Texture (through the example of pianoforte miniatures by A.K. Lyadov)
    p. 150-157; Vinokurova, Natalia V.
    full text (.pdf) / abstract
  13. Waltz Themes in String Quartets by D. Shostakovich: Semantic Aspect
    p. 158-168; Osipenko, Olesia A.
    full text (.pdf) / abstract
  14. Soviet Worship Cantatas and Oratorios of the Late 1950s – Early 1980s for Children’s Chorus
    p. 169-183; Perepich, Natalia V.
    full text (.pdf) / abstract
  15. Interpretation of the Buryat Heroic Epic in the Libretto of Zh. Batuev’s Ballets “Geser” and “The Son of the Earth”
    p. 184-193; Kolpetskaia, Olga Iu.
    full text (.pdf) / abstract
  16. On Some Features of A. Smelkov and Yu. Dimitrin’s Libretto “The Brothers Karamazov”
    p. 194-202; Voitkevich, Svetlana G.
    full text (.pdf) / abstract
  17. The musical image of Vajra Guru Mantra in «Sacred Chants of Buddha» album by Craig Pruess
    p. 203-209; Mosman, Ekaterina V.
    full text (.pdf) / abstract
  18. Legal Qualification as a Logical Method of Cognition
    p. 210-217; Vlasenko, Valerii N.
    full text (.pdf) / abstract
  19. Current Status and Problems of Legal Regulation of Urgent Search in Criminal Cases
    p. 218-228; Medvedev, Igor A.
    full text (.pdf) / abstract
  20. The Approaches to Philological Competence as an Integral Part of Professional Competence of a Foreign Language Teacher
    p. 229-233; Komiakova, Irina M.
    full text (.pdf) / abstract
  21. Eastbound – Westbound: Re-reading the Myth of Europa
    p. 235-250; Bert van Roermund
    full text (.pdf) / abstract
  22. Urban Violence and Demographic Delimitations in Democratic Governance
    p. 251-264; Aluko Opeyemi Idowu
    full text (.pdf) / abstract
  23. Comparative Analysis of Access and Benefit Sharing Regimes in India and Russia in Context of Indigenous People and Local Communities
    p. 265-290; Arjjumend, Hasrat; Alam, Sabiha; Koivurova, Timo; Shishatskiy, Nikolay G.
    full text (.pdf) / abstract