Journal of Siberian Federal University. Humanities & Social Sciences. 2020 13 (6)

  1. Introduction to the Thematic Issue of the Siberian Federal University Journal, the Humanities series, in the “History and Theory of Art” Research Field
    p. 834–837; Koptseva, Natalia P.
    full text (.pdf) / abstract
  2. Architectural Space in the Paintings by Vincent van Gogh
    p. 838–859; Avdeeva, Yuliya N.; Degtyarenko, Kseniya A.; Kolesnik, Maria A.; Koptseva, Natalia P.; Pchelkina, Daria S.; Shpak, Anna A.
    full text (.pdf) / abstract
  3. Formation of Leading Universities: World Practice and Russian Perspective
    p. 860–875; Efimov, Valerii S.
    full text (.pdf) / abstract
  4. Architectural Curvilinearity – Analysis of the Harbin Opera House Structural Solutions
    p. 876–890; Kirichkov, Igor V.
    full text (.pdf) / abstract
  5. The Image of the Yenisei in the Paintings of Krasnoyarsk Artists
    p. 891–903; Kistova, Anastasia V.; Bulak, Ksenia A.; Pimenova, Natalia N.; Shimanskaya, Ksenia I.; Pashova, Elina V.
    full text (.pdf) / abstract
  6. Opera Dilogy der Beglückte Florindo (“Florindo Made Happy”) and Die Verwandelte Daphne (“Daphne Metamorphosed”) by G.F. Handel: Problem of Plot Formation
    p. 904–913; Kosheleva, Maria A.
    full text (.pdf) / abstract
  7. Siberian Identity in Traditions and Innovations of Art Culture
    p. 914–923; Moskalyuk, Marina V.; Grishchenko, Anastasiya P.
    full text (.pdf) / abstract
  8. The Development of Arts in the Context of the Stroganovs’ Activity as Ktitors and Art Patrons in the 16th-17th Centuries
    p. 924–944; Parfentieva, Natalia V.; Parfentiev, Nikolai P.
    full text (.pdf) / abstract
  9. Development of the Requiem Genre as a Reflection of Philosophical and Social Ideas About Death
    p. 945–950; Seibert, Andrey Yu.
    full text (.pdf) / abstract
  10. The National and the International in Three Works of Contemporary Chinese Artists
    p. 951–962; Sitnikova, Aleksandra A.
    full text (.pdf) / abstract
  11. The Influence of Creative Societies on the Formation of Art Education in Krasnoyarsk of the Late 19th – Early 20th Centuries
    p. 963–971; Stroy, Liliia R.; Tsareva, Evgeniia S.
    full text (.pdf) / abstract
  12. Revisiting the Issues of Studying the Creative Heritage of Kazimir Malevich: Russian and Foreign Bibliography
    p. 972–978; Tolstikhina, Ekaterina M.; Moskalyuk, Marina V.
    full text (.pdf) / abstract
  13. The Rite of Veneration of the Icon of the Archangel Michael in the Village of Ishimka in Bolsheuluisky District of Krasnoyarsk Krai
    p. 979–988; Trofimov, Aleksandr V.; Chaikina, Valentina V.
    full text (.pdf) / abstract
  14. Peculiarities of Adaptation of the Novel by F.M. Dostoyevsky “The Idiot” in the Opera by M. Weinberg of the Same Name
    p. 989–996; Voitkevich, Svetlana G.
    full text (.pdf) / abstract
  15. Life Values and Subjective Well-being of the Indigenous Small-Numbered Peoples of the Arctic Zone (Based on the Example of the Nenets)
    p. 997–1006; Zabelina, Ekaterina V.; Kurnosova, Svetlana A.; Trushina, Irina A.; Koptseva, Natalya P.; Luzan, Vladimir S.
    full text (.pdf) / abstract
  16. The Image of Homeland in the Works by Alphonse Mucha “Madonna of the Lilies”, the Poster for “The Lottery of the Union of Southwest Moravia” and the Poster for “The Slav Epic Exhibition”
    p. 1007–1019; Zamaraeva, Yuliya S.; Reznikova, Kseniya V.; Seredkina, Natalya N.
    full text (.pdf) / abstract
  17. Modern Model of Genomic and Other Research Regulations
    p. 1020–1027; Kolosova, Nina M.
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  18. Individual Styles of Summary Writing: Approaches to Styles Description and Diagnostics
    p. 1028–1037; Tareva, Elena G.; Tarev, Boris V.
    full text (.pdf) / abstract
  19. “If Music is Not a Memory, then what is it?”: on the Modern Approach to Musical Memory in Azio Corghi’s Creations
    p. 1038–1045; Gavrilova, Liudmila V.
    full text (.pdf) / abstract