Журнал СФУ. Гуманитарные науки. 2020 13 (6)

  1. Introduction to the Thematic Issue of the Siberian Federal University Journal, the Humanities series, in the “History and Theory of Art” Research Field
    стр. 834–837; Koptseva, Natalia P.
    полный текст (.pdf) / аннотация
  2. Architectural Space in the Paintings by Vincent van Gogh
    стр. 838–859; Avdeeva, Yuliya N.; Degtyarenko, Kseniya A.; Kolesnik, Maria A.; Koptseva, Natalia P.; Pchelkina, Daria S.; Shpak, Anna A.
    полный текст (.pdf) / аннотация
  3. Formation of Leading Universities: World Practice and Russian Perspective
    стр. 860–875; Efimov, Valerii S.
    полный текст (.pdf) / аннотация
  4. Architectural Curvilinearity – Analysis of the Harbin Opera House Structural Solutions
    стр. 876–890; Kirichkov, Igor V.
    полный текст (.pdf) / аннотация
  5. The Image of the Yenisei in the Paintings of Krasnoyarsk Artists
    стр. 891–903; Kistova, Anastasia V.; Bulak, Ksenia A.; Pimenova, Natalia N.; Shimanskaya, Ksenia I.; Pashova, Elina V.
    полный текст (.pdf) / аннотация
  6. Opera Dilogy der Beglückte Florindo (“Florindo Made Happy”) and Die Verwandelte Daphne (“Daphne Metamorphosed”) by G.F. Handel: Problem of Plot Formation
    стр. 904–913; Kosheleva, Maria A.
    полный текст (.pdf) / аннотация
  7. Siberian Identity in Traditions and Innovations of Art Culture
    стр. 914–923; Moskalyuk, Marina V.; Grishchenko, Anastasiya P.
    полный текст (.pdf) / аннотация
  8. The Development of Arts in the Context of the Stroganovs’ Activity as Ktitors and Art Patrons in the 16th-17th Centuries
    стр. 924–944; Parfentieva, Natalia V.; Parfentiev, Nikolai P.
    полный текст (.pdf) / аннотация
  9. Development of the Requiem Genre as a Reflection of Philosophical and Social Ideas About Death
    стр. 945–950; Seibert, Andrey Yu.
    полный текст (.pdf) / аннотация
  10. The National and the International in Three Works of Contemporary Chinese Artists
    стр. 951–962; Sitnikova, Aleksandra A.
    полный текст (.pdf) / аннотация
  11. The Influence of Creative Societies on the Formation of Art Education in Krasnoyarsk of the Late 19th – Early 20th Centuries
    стр. 963–971; Stroy, Liliia R.; Tsareva, Evgeniia S.
    полный текст (.pdf) / аннотация
  12. Revisiting the Issues of Studying the Creative Heritage of Kazimir Malevich: Russian and Foreign Bibliography
    стр. 972–978; Tolstikhina, Ekaterina M.; Moskalyuk, Marina V.
    полный текст (.pdf) / аннотация
  13. The Rite of Veneration of the Icon of the Archangel Michael in the Village of Ishimka in Bolsheuluisky District of Krasnoyarsk Krai
    стр. 979–988; Trofimov, Aleksandr V.; Chaikina, Valentina V.
    полный текст (.pdf) / аннотация
  14. Peculiarities of Adaptation of the Novel by F.M. Dostoyevsky “The Idiot” in the Opera by M. Weinberg of the Same Name
    стр. 989–996; Voitkevich, Svetlana G.
    полный текст (.pdf) / аннотация
  15. Life Values and Subjective Well-being of the Indigenous Small-Numbered Peoples of the Arctic Zone (Based on the Example of the Nenets)
    стр. 997–1006; Zabelina, Ekaterina V.; Kurnosova, Svetlana A.; Trushina, Irina A.; Koptseva, Natalya P.; Luzan, Vladimir S.
    полный текст (.pdf) / аннотация
  16. The Image of Homeland in the Works by Alphonse Mucha “Madonna of the Lilies”, the Poster for “The Lottery of the Union of Southwest Moravia” and the Poster for “The Slav Epic Exhibition”
    стр. 1007–1019; Zamaraeva, Yuliya S.; Reznikova, Kseniya V.; Seredkina, Natalya N.
    полный текст (.pdf) / аннотация
  17. Modern Model of Genomic and Other Research Regulations
    стр. 1020–1027; Kolosova, Nina M.
    полный текст (.pdf) / аннотация
  18. Individual Styles of Summary Writing: Approaches to Styles Description and Diagnostics
    стр. 1028–1037; Tareva, Elena G.; Tarev, Boris V.
    полный текст (.pdf) / аннотация
  19. “If Music is Not a Memory, then what is it?”: on the Modern Approach to Musical Memory in Azio Corghi’s Creations
    стр. 1038–1045; Gavrilova, Liudmila V.
    полный текст (.pdf) / аннотация