- Aesthetic Transformations as the Ideological Basis of Soviet Fine Arts in 1917–1922
p. 522–535; Koptseva, Natalya P.; Seredkina, Natalya N.; Degtyarenko, Kseniya A.
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- Boris Mikhailovich Kustodiev’s Paintings from 1917–1922: A Philosophical and Art Historical Analysis
p. 536–550; Leshchinskaia, Natalia M.; Tarasova, Maria V.; Kolesnik, Maria A.
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- Creativity of Igor Emmanuilovich Grabar in 1917–1922
p. 551–565; Sitnikova, Aleksandra A.; Smolina, Maya G.; Mao, Sang
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- The Transformation of Architectural Styles in Soviet Art 1917–1922
p. 566–579; Pimenova, Natalya N.; Sertakova, Ekaterina A.; Shpak, Anna A.
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- The Genre of the Soviet Poster in the Fine Arts of 1917–1922
p. 580–593; Pimenova, Natalya N.; Shpak, Anna A.; Ermakov, Tikhon K.
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- The Image of Scientific and Technological Progress in the Fine Art of Pavel Filonov
p. 594–607; Sertakova, Ekaterina A.; Kolesnik, Maria A.; Omelik, Anna A.
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- Collection of Russian avant-garde paintings in the funds of the Krasnoyarsk Art Museum named after V. I. Surikov
p. 608–624; Kistova, Anastasiia V.; Sitnikova, Aleksandra A.; Ilchenko, Kseniia I.
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- From the «Black Square» to the «Black Mirror»: Contemporary Art in Search of Light
p. 625–632; Drobysheva, Elena E.
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- Kinaesthetical Intellect As a Key-Source for Analysis Dance Works by Andrey Andrianov and Po.V.S.Tanze
p. 633–640; Gordeeva, Tatiana V.
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- Multimedia Technologies As a Way of Constructing a Design Code in a Dance Performance
p. 641–647; Gribov, Sergey S.
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- Genre and Style in the Action Art Studies
p. 648–655; Menshikov, Leonid A.
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- Food Security and Paradoxes of Supply in Chukotka
p. 656–661; Davydov, Vladimir N.; Davydova, Elena A.
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- The Translation of the Bible into the Languages of the Indigenous Peoples of the North, Siberia and Far East: Describing the Current Situation
p. 662–676; Razumovskaya, Veronica A.; Valkova, Yulia E.; Koptseva, Natalia P.
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- Metaphysics and Axiology of Crime and Personality in F. Dostoevsky’s Novel “Crime and Punishment”
p. 677–686; Baiturina, Ulzhan K.; Mokletsova, Irina V.; Razumovskaya, Veronica A.
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