- On the Semantics of Music and Plastic Walts Intonation in Maurice Ravel’s Worksfull text (.pdf) / abstract
- Image of Russia as the Basis of Metatext for Musical Pieces by Georgy Sviridovfull text (.pdf) / abstract
- Refraction of Rock Culture Through a Prism of Japanese National Traditions: The Works of the Onmyo-Za (J-Rock) Bandfull text (.pdf) / abstract
- Eminent Leaders of Musical Art in the Krasnoyarsk Territory: Vladimir Aleksandrovich Averinfull text (.pdf) / abstract
- The Musical and Aesthetic Concept of the Portraits by V.A. Serov of Foreign Opera Singers of S. Mamontov’s Theatre Companyfull text (.pdf) / abstract
- Origins of the Professional Musical and Choreographic Art of Buryatiafull text (.pdf) / abstract
- Siberian Regionalism and Power in Siberia in the Second Half of the 19th Centuryfull text (.pdf) / abstract
- The Image of the Lyrical Hero in D. Shostakovich’s Symphony No. 4 in the Light of the Ideas of Christian Anthropologyfull text (.pdf) / abstract
- “The Problem of the Finale” in Symphony No. 10 by D. Shostakovich Through the Prism of Composer’s Work with Genre Materialfull text (.pdf) / abstract
- The Choral Cycle Six Songs to the Lines of R. Rilke by Paul Hindemith (some Style Features)full text (.pdf) / abstract
- Krasnoyarsk in 1917 – the Middle of 1918 as Viewed by the Newspaper Krasnoyarskii Rabochiifull text (.pdf) / abstract
- Interactive Space in the Context of Improving School Life Patternsfull text (.pdf) / abstract
- Historical and Epistemological Ways of Rationality and Faith in the Search of Logos (from Antiquity to the Middle Ages)full text (.pdf) / abstract
- Problems of the Genesis of the Academic Musical Culture of Krasnoyarsk (on the Methodology of Local History Studies)full text (.pdf) / abstract