Journal of Siberian Federal University. Humanities & Social Sciences. 2024 17 (7)

  1. Intertextual Aspects of Libretto Analysis of Modern Operas Based on F. M. Dostoevsky’s Plots
    p. 1216–1224; Voitkevich, Svetlana G.; Gavrilova, Liudmila V.; Seibert, Andrey Yu.
    full text (.pdf) / abstract
  2. Actual Issues of the Russian Academic Art History Methodology
    p. 1225–1234; Gracheva, Svetlana M.
    full text (.pdf) / abstract
  3. Food Autonomy in Taimyr: Infrastructure, Supply, Mobility
    p. 1235–1246; Davydov, Vladimir N.; Bobrova, Vasilisa V.
    full text (.pdf) / abstract / supplementary material
  4. Scientific and Artistic Innovations in Soviet Fine Arts 1919–1930
    p. 1247–1256; Degtyarenko, Kseniya A.; Koptseva, Natalia P.; Menzhurenko, Yulia N.
    full text (.pdf) / abstract / supplementary material
  5. Current Trends in the Influence of Artificial Intelligence on Modern Visual Culture
    p. 1257–1268; Koptseva, Natalia P.; Shpak, Anna A.; Koptseva, Maria S.
    full text (.pdf) / abstract
  6. “The Seminarian”: Notes on the Life and Customs of Krasnoyarsk in the 1890s in the Early Samples of Attempts at Writing by Teacher-Philosopher P. P. Ustyugov (Part 1)
    p. 1269–1276; Karlova, Olga A.
    full text (.pdf) / abstract / supplementary material
  7. Formal- Stylistic Method as the Basis for Interpreting Works of Painting (Based on the Artistic Legacy of the People’s Artist of Russia A. M. Znak)
    p. 1277–1285; Moskalyuk, Marina V.
    full text (.pdf) / abstract / supplementary material
  8. Formation of the Monastery Choir in Russia in the 16th‑17th Centuries (Using the Example of the Joseph‑Volokolamsk Monastery)
    p. 1286–1295; Parfentiev, Nikolai P.; Parfentieva, Natalia V.
    full text (.pdf) / abstract / supplementary material
  9. The Category of the Sublime and the Art of Architecture in the I. Kant’s Aesthetics
    p. 1296–1310; Pimenova, Natalya N.
    full text (.pdf) / abstract
  10. The Specifics of the Methodological Designer and the Methodology of Abstract Painting Analysis
    p. 1311–1319; Popova, Natalya S.
    full text (.pdf) / abstract / supplementary material
  11. Representation of Cultural Memory in the Projects of the XV Krasnoyarsk Museum Biennale “Aveniseesineva”
    p. 1320–1331; Sertakova, Ekaterina A.
    full text (.pdf) / abstract / supplementary material
  12. Modern Cultural Approaches to the Concept of «Practice»
    p. 1332–1345; Seredkina, Natalya N.
    full text (.pdf) / abstract
  13. Features of the Dynamics of Urban Artistic Culture Study
    p. 1346–1356; Sitnikova, Aleksandra A.
    full text (.pdf) / abstract
  14. Existential, Real and Metaphysical Aspects in the Painting and Graphics by Konstantin Petrov
    p. 1357–1362; Stupin, Sergey S.
    full text (.pdf) / abstract / supplementary material
  15. The Other and Duality in O. Wilde’s Novel “The Picture of Dorian Gray”
    p. 1363–1375; Urazayeva, Kuralay B.; Razumovskaya, Veronica A.; Yerik, Gulnur; Kultanova, Zhanara M.
    full text (.pdf) / abstract / supplementary material
  16. Optical and Physical Methods of Studying the Paintings of Siberian Artists of 20th Century: Results and Prospects
    p. 1376–1385; Chernyaeva, Irina V.; Bulgaeva, Galina D.
    full text (.pdf) / abstract / supplementary material
  17. From Crafts to Art: on the Organization of the First Full-Year Ivory Carving Workshops in Chukotka
    p. 1386–1396; Shulgina, Olga M.
    full text (.pdf) / abstract / supplementary material
  18. “The Red Wheel” by A. I. Solzhenitsyn Genre: A Cultural and Philosophical Approach
    p. 1397–1408; Makarchuk, Ivan Yu.
    full text (.pdf) / abstract
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