Journal of Siberian Federal University. Humanities & Social Sciences. 2025 18 (3)

  1. Ad Narrandum, Non-Ad Probandum: Horizons of Modern Linguistics
    p. 437–451; Tuimebaev, Zhanseit K.; Aimagambetova, Malika M.; Shaimerdenova, Nursulu Zh.; Agmanova, Atirkul E.
    full text (.pdf) / abstract
  2. Perception of Artificial Intelligence Technologies in Professional Communities: Results of Multi-Factor Analysis
    p. 452–459; Koptseva, Maria S.; Zotov, Stepan O.
    full text (.pdf) / abstract
  3. Current Situation and Prospects of Teaching Chinese to Bashkir Ethno-Cultural Group
    p. 460–467; Xuejiao Wang; Liulina, Anastasia G.
    full text (.pdf) / abstract
  4. Migration Exchange Between Krasnoyarsk Krai and Uzbek SSR in 1961–1969
    p. 468–480; Gergilev, Denis N.; Pavlyukevich, Ruslan V.
    full text (.pdf) / abstract
  5. Memory and Oblivion as Products of Digital Technologies in Cinema of the Late 20th – Early 21st Century
    p. 481–491; Sertakova, Ekaterina A.; Leshchinskaia, Natalia M.
    full text (.pdf) / abstract
  6. Artificial Intelligence in the Art World: Copyright Issues
    p. 492–501; Shpak, Anna A.; Koptseva, Maria S.
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  7. Problems of Preserving the Kazakh Language in China: Threats of Extinction and Ways of Solution
    p. 502–515; Zharkynbekova, Sholpan K.; Tazhibayeva, Saule Zh.
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  8. The S. Lem’s “Phantomatic” Concept in Context of Relationship Between Cybertext and Artificial Intelligence
    p. 516–525; Degtyarenko, Ksenia A.; Ermakov, Tikhon K.
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  9. The Main Functions of Precedent Anthroponyms in Media Discourse
    p. 526–536; Yessimova, Akmaral K.; Razumovskaya, Veronica A.; Yerik, Gulnur
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  10. The Artistic Image of a Robot as a Symbol of Self-reflection in Modern Popular Culture (Based on the Analysis of the Animated Anthology Series “Love, Death and Robots”, 2019–2022)
    p. 537–547; Zhigaeva, Anastasiya A.; Kvashnina, Yuliya V.; Borodina, Mariana A.
    full text (.pdf) / abstract
  11. Robotics in the Theatre: Vladimir Zakharov’s Theatre of Living Puppets «2+ku» as a Cultural Phenomenon
    p. 548–560; Pimenova, Natalya N.; Kistova, Anastasia V.
    full text (.pdf) / abstract
  12. Monumental Painting of the Artist-Iconographer Nikolay Shushalykov: Specificity of Artistic Decision
    p. 561–572; Kosjakina, Julia L.
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  13. Human Creativity and Artificial Intelligence in Education
    p. 573–582; Koptseva, Natalia P.; Menzhurenko, Yulia N.
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  14. Poems’ Addressing as a Form of Poetic Dialogue in I. Chinnov’s Book of Poems “Score” (1970)
    p. 583–590; Nalegach, Natalya V.
    full text (.pdf) / abstract
  15. Institute of the Peoples of the North: Study and Teaching of Native Languages and Cultures in the Context of International Cooperation
    p. 591–604; Petrov, Aleksandr A.; Urun, Sofiya A.
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  16. History of the Formation of the Concept of the Art Museum in Krasnoyarsk
    p. 605–617; Kistova, Anastasia V.; Pimenova, Natalya N.; Bukova, Maria I.
    full text (.pdf) / abstract
  17. Ethnic Translation as a Key to Indigenous Cultures (Research and Educational Aspects)
    p. 618–627; Razumovskaya, Veronica A.
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  18. Robots as Artistic Material in Fine Art: Installation “Can’t Help Myself” by Sun Yuan and Peng Yu
    p. 628–639; Kolesnik, Maria A.; Sitnikova, Alexandra A.
    full text (.pdf) / abstract
  19. National Images in S. Maugham’s on a Chinese Screen
    p. 640–648; Khabibullina, Liliya F.; Zinnatullina, Zulfiya R.
    full text (.pdf) / abstract